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To a woman like Audrey Noel, born to be the counterpart and
complement of another,--whose occupations and effort were inherently
divorced from the continuity of any stiff and strenuous purpose of
her own, the uprooting she had voluntarily undergone was a serious

Bereaved of the faces of her flowers, the friendly sighing of her
lime-tree, the wants of her cottagers; bereaved of that busy monotony
of little home things which is the stay and solace of lonely women,
she was extraordinarily lost. Even music for review seemed to have
failed her. She had never lived in London, so that she had not the
refuge of old haunts and habits, but had to make her own--and to make
habits and haunts required a heart that could at least stretch out
feelers and lay hold of things, and her heart was not now able. When
she had struggled with her Edwardian flat, and laid down her simple
routine of meals, she was as stranded as ever was, convict let out of
prison. She had not even that great support, the necessity of hiding
her feelings for fear of disturbing others. She was planted there,
with her longing and grief, and nothing, nobody, to take her out of
herself. Having wilfully embraced this position, she tried to make
the best of it, feeling it less intolerable, at all events, than
staying on at Monkland, where she had made that grievous, and
unpardonable error--falling in love.

This offence, on the part of one who felt within herself a great
capacity to enjoy and to confer happiness, had arisen--like the other
grievous and unpardonable offence, her marriage--from too much
disposition to yield herself to the personality of another. But it
was cold comfort to know that the desire to give and to receive love
had twice over left her--a dead woman. Whatever the nature of those
immature sensations with which, as a girl of twenty, she had accepted
her husband, in her feeling towards Miltoun there was not only
abandonment, but the higher flame of self-renunciation. She wanted
to do the best for him, and had not even the consolation of the
knowledge that she had sacrificed herself for his advantage. All had
been taken out of her hands! Yet with characteristic fatalism she
did not feel rebellious. If it were ordained that she should, for
fifty, perhaps sixty years, repent in sterility and ashes that first
error of her girlhood, rebellion was, none the less, too far-fetched.
If she rebelled, it would not be in spirit, but in action. General
principles were nothing to her; she lost no force brooding over the
justice or injustice of her situation, but merely tried to digest its

The whole day, succeeding Courtier's visit, was spent by her in the
National Gallery, whose roof, alone of all in London, seemed to offer
her protection. She had found one painting, by an Italian master,
the subject of which reminded her of Miltoun; and before this she sat
for a very long time, attracting at last the gouty stare of an
official. The still figure of this lady, with the oval face and
grave beauty, both piqued his curiosity, and stimulated certain moral
qualms. She, was undoubtedly waiting for her lover. No woman, in
his experience, had ever sat so long before a picture without
ulterior motive; and he kept his eyes well opened to see what this
motive would be like. It gave him, therefore, a sensation almost
amounting to chagrin when coming round once more, he found they had
eluded him and gone off together without coming under his inspection.
Feeling his feet a good deal, for he had been on them all day, he sat
down in the hollow which she had left behind her; and against his
will found himself also looking at the picture. It was painted in a
style he did not care for; the face of the subject, too, gave him the
queer feeling that the gentleman was being roasted inside. He had
not been sitting there long, however, before he perceived the lady
standing by the picture, and the lips of the gentleman in the picture
moving. It seemed to him against the rules, and he got up at once,
and went towards it; but as he did so, he found that his eyes were
shut, and opened them hastily. There was no one there.

>From the National Gallery, Audrey had gone into an A.B.C. for tea,
and then home. Before the Mansions was a taxi-cab, and the maid met
her with the news that 'Lady Caradoc' was in the sitting-room.

Barbara was indeed standing in the middle of the room with a look on
her face such as her father wore sometimes on the racecourse, in the
hunting field, or at stormy Cabinet Meetings, a look both resolute
and sharp. She spoke at once:

"I got your address from Mr. Courtier. My brother is ill. I'm
afraid it'll be brain fever, I think you had better go and see him at
his rooms in the Temple; there's no time to be lost."

To Audrey everything in the room seemed to go round; yet all her
senses were preternaturally acute, so that she could distinctly smell
the mud of the river at low tide. She said, with a shudder:

"Oh! I will go; yes, I will go at once."

"He's quite alone. He hasn't asked for you; but I think your going
is the only chance. He took me for you. You told me once you were a
good nurse."


The room was steady enough now, but she had lost the preternatural
acuteness of her senses, and felt confused. She heard Barbara say:
"I can take you to the door in my cab," and murmuring: "I will get
ready," went into her bedroom. For a moment she was so utterly
bewildered that she did nothing. Then every other thought was lost
in a strange, soft, almost painful delight, as if some new instinct
were being born in her; and quickly, but without confusion or hurry,
she began packing. She put into a valise her own toilet things; then
flannel, cotton-wool, eau de Cologne, hot-water bottle, Etna, shawls,
thermometer, everything she had which could serve in illness.
Changing to a plain dress, she took up the valise and returned to
Barbara. They went out together to the cab. The moment it began to
bear her to this ordeal at once so longed-for and so terrible, fear
came over her again, so that she screwed herself into the corner,
very white and still. She was aware of Barbara calling to the
driver: "Go by the Strand, and stop at a poulterer's for ice!" And,
when the bag of ice had been handed in, heard her saying: "I will
bring you all you want--if he is really going to be ill."

Then, as the cab stopped, and the open doorway of the staircase was
before her, all her courage came back.

She felt the girl's warm hand against her own, and grasping her
valise and the bag of ice, got out, and hurried up the steps.

The Patrician by John Galsworthy

General Fiction
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