Chapter 6 : The Two Stand Face to Face
The room had been arranged with a view to the dancing,
the large oak table having been moved back till it stood
as a breastwork to the fireplace. At each end, behind,
and in the chimney-corner were grouped the guests,
many of them being warm-faced and panting, among whom
Eustacia cursorily recognized some well-to-do persons
from beyond the heath. Thomasin, as she had expected,
was not visible, and Eustacia recollected that a
light had shone from an upper window when they were
outside--the window, probably, of Thomasin's room.
A nose, chin, hands, knees, and toes projected from the seat
within the chimney opening, which members she found to unite
in the person of Grandfer Cantle, Mrs. Yeobright's occasional
assistant in the garden, and therefore one of the invited.
The smoke went up from an Etna of peat in front of him,
played round the notches of the chimney-crook, struck
against the salt-box, and got lost among the flitches.
Another part of the room soon riveted her gaze.
At the other side of the chimney stood the settle,
which is the necessary supplement to a fire so open
that nothing less than a strong breeze will carry up
the smoke. It is, to the hearths of old-fashioned
cavernous fireplaces, what the east belt of trees is to the
exposed country estate, or the north wall to the garden.
Outside the settle candles gutter, locks of hair wave,
young women shiver, and old men sneeze. Inside is Paradise.
Not a symptom of a draught disturbs the air; the sitters'
backs are as warm as their faces, and songs and old tales
are drawn from the occupants by the comfortable heat,
like fruit from melon plants in a frame.
It was, however, not with those who sat in the settle that
Eustacia was concerned. A face showed itself with marked
distinctness against the dark-tanned wood of the upper part.
The owner, who was leaning against the settle's outer end,
was Clement Yeobright, or Clym, as he was called here;
she knew it could be nobody else. The spectacle constituted
an area of two feet in Rembrandt's intensest manner.
A strange power in the lounger's appearance lay in
the fact that, though his whole figure was visible,
the observer's eye was only aware of his face.
To one of middle age the countenance was that of a young man,
though a youth might hardly have seen any necessity
for the term of immaturity. But it was really one of
those faces which convey less the idea of so many years
as its age than of so much experience as its store.
The number of their years may have adequately summed
up Jared, Mahalaleel, and the rest of the antediluvians,
but the age of a modern man is to be measured by the
intensity of his history.
The face was well shaped, even excellently. But the mind
within was beginning to use it as a mere waste tablet whereon
to trace its idiosyncrasies as they developed themselves.
The beauty here visible would in no long time be ruthlessly
over-run by its parasite, thought, which might just as
well have fed upon a plainer exterior where there was
nothing it could harm. Had Heaven preserved Yeobright
from a wearing habit of meditation, people would have said,
"A handsome man." Had his brain unfolded under sharper
contours they would have said, "A thoughtful man." But an
inner strenuousness was preying upon an outer symmetry,
and they rated his look as singular.
Hence people who began by beholding him ended by perusing him.
His countenance was overlaid with legible meanings.
Without being thought-worn he yet had certain marks
derived from a perception of his surroundings, such as
are not unfrequently found on men at the end of the four
or five years of endeavour which follow the close
of placid pupilage. He already showed that thought
is a disease of flesh, and indirectly bore evidence
that ideal physical beauty is incompatible with emotional
development and a full recognition of the coil of things.
Mental luminousness must be fed with the oil of life,
even though there is already a physical need for it;
and the pitiful sight of two demands on one supply was
just showing itself here.
When standing before certain men the philosopher regrets
that thinkers are but perishable tissue, the artist
that perishable tissue has to think. Thus to deplore,
each from his point of view, the mutually destructive
interdependence of spirit and flesh would have been
instinctive with these in critically observing Yeobright.
As for his look, it was a natural cheerfulness striving
against depression from without, and not quite succeeding.
The look suggested isolation, but it revealed something more.
As is usual with bright natures, the deity that lies
ignominiously chained within an ephemeral human carcase
shone out of him like a ray.
The effect upon Eustacia was palpable. The extraordinary
pitch of excitement that she had reached beforehand would,
indeed, have caused her to be influenced by the most
commonplace man. She was troubled at Yeobright's presence.
The remainder of the play ended--the Saracen's head
was cut off, and Saint George stood as victor.
Nobody commented, any more than they would have commented
on the fact of mushrooms coming in autumn or snowdrops
in spring. They took the piece as phlegmatically as did
the actors themselves. It was a phase of cheerfulness
which was, as a matter of course, to be passed through
every Christmas; and there was no more to be said.
They sang the plaintive chant which follows the play,
during which all the dead men rise to their feet in a silent
and awful manner, like the ghosts of Napoleon's soldiers
in the Midnight Review. Afterwards the door opened,
and Fairway appeared on the threshold, accompanied by
Christian and another. They had been waiting outside
for the conclusion of the play, as the players had waited
for the conclusion of the dance.
"Come in, come in," said Mrs. Yeobright; and Clym went
forward to welcome them. "How is it you are so late?
Grandfer Cantle has been here ever so long, and we thought
you'd have come with him, as you live so near one another."
"Well, I should have come earlier," Mr. Fairway said
and paused to look along the beam of the ceiling for a
nail to hang his hat on; but, finding his accustomed
one to be occupied by the mistletoe, and all the nails
in the walls to be burdened with bunches of holly, he at
last relieved himself of the hat by ticklishly balancing
it between the candle-box and the head of the clock-case.
"I should have come earlier, ma'am," he resumed, with a
more composed air, "but I know what parties be, and how
there's none too much room in folks' houses at such times,
so I thought I wouldn't come till you'd got settled a bit."
"And I thought so too, Mrs. Yeobright," said Christian
earnestly, "but Father there was so eager that he had no
manners at all, and left home almost afore 'twas dark.
I told him 'twas barely decent in a' old man to come
so oversoon; but words be wind."
"Klk! I wasn't going to bide waiting about, till half
the game was over! I'm as light as a kite when anything's
going on!" crowed Grandfer Cantle from the chimneyseat.
Fairway had meanwhile concluded a critical gaze at Yeobright.
"Now, you may not believe it," he said to the rest of the room,
"but I should never have knowed this gentleman if I had
met him anywhere off his own he'th--he's altered so much."
"You too have altered, and for the better, I think Timothy,"
said Yeobright, surveying the firm figure of Fairway.
"Master Yeobright, look me over too. I have altered
for the better, haven't I, hey?" said Grandfer Cantle,
rising and placing himself something above half a foot
from Clym's eye, to induce the most searching criticism.
"To be sure we will," said Fairway, taking the candle and
moving it over the surface of the Grandfer's countenance,
the subject of his scrutiny irradiating himself with light
and pleasant smiles, and giving himself jerks of juvenility.
"You haven't changed much," said Yeobright.
"If there's any difference, Grandfer is younger,"
appended Fairway decisively.
"And yet not my own doing, and I feel no pride in it,"
said the pleased ancient. "But I can't be cured of my vagaries;
them I plead guilty to. Yes, Master Cantle always was that,
as we know. But I am nothing by the side of you,
"Nor any o' us," said Humphrey, in a low rich tone
of admiration, not intended to reach anybody's ears.
"Really, there would have been nobody here who could
have stood as decent second to him, or even third,
if I hadn't been a soldier in the Bang-up Locals (as we
was called for our smartness)," said Grandfer Cantle.
"And even as 'tis we all look a little scammish beside him.
But in the year four 'twas said there wasn't a finer figure
in the whole South Wessex than I, as I looked when dashing
past the shop-winders with the rest of our company on
the day we ran out o' Budmouth because it was thoughted
that Boney had landed round the point. There was I,
straight as a young poplar, wi' my firelock, and my bagnet,
and my spatterdashes, and my stock sawing my jaws off,
and my accoutrements sheening like the seven stars! Yes,
neighbours, I was a pretty sight in my soldiering days.
You ought to have seen me in four!"
"'Tis his mother's side where Master Clym's figure comes from,
bless ye," said Timothy. "I know'd her brothers well.
Longer coffins were never made in the whole country
of South Wessex, and 'tis said that poor George's knees
were crumpled up a little e'en as 'twas."
"Coffins, where?" inquired Christian, drawing nearer.
"Have the ghost of one appeared to anybody, Master Fairway?"
"No, no. Don't let your mind so mislead your ears,
Christian; and be a man," said Timothy reproachfully.
"I will." said Christian. "But now I think o't my
shadder last night seemed just the shape of a coffin.
What is it a sign of when your shade's like a coffin,
neighbours? It can't be nothing to be afeared of,
"Afeared, no!" said the Grandfer. "Faith, I was never
afeard of nothing except Boney, or I shouldn't ha'
been the soldier I was. Yes, 'tis a thousand pities you
didn't see me in four!"
By this time the mummers were preparing to leave;
but Mrs. Yeobright stopped them by asking them to sit
down and have a little supper. To this invitation
Father Christmas, in the name of them all, readily agreed.
Eustacia was happy in the opportunity of staying a little longer.
The cold and frosty night without was doubly frigid to her.
But the lingering was not without its difficulties.
Mrs. Yeobright, for want of room in the larger apartment,
placed a bench for the mummers halfway through the pantry door,
which opened from the sitting-room. Here they seated
themselves in a row, the door being left open--thus they
were still virtually in the same apartment. Mrs. Yeobright
now murmured a few words to her son, who crossed the room
to the pantry door, striking his head against the mistletoe
as he passed, and brought the mummers beef and bread,
cake pastry, mead, and elder-wine, the waiting being
done by him and his mother, that the little maid-servant
might sit as guest. The mummers doffed their helmets,
and began to eat and drink.
"But you will surely have some?" said Clym to the Turkish
Knight, as he stood before that warrior, tray in hand.
She had refused, and still sat covered, only the sparkle
of her eyes being visible between the ribbons which covered her face.
"None, thank you," replied Eustacia.
"He's quite a youngster," said the Saracen apologetically,
"and you must excuse him. He's not one of the old set,
but have jined us because t'other couldn't come."
"But he will take something?" persisted Yeobright.
"Try a glass of mead or elder-wine."
"Yes, you had better try that," said the Saracen.
"It will keep the cold out going home-along."
Though Eustacia could not eat without uncovering her face
she could drink easily enough beneath her disguise.
The elder-wine was accordingly accepted, and the glass
vanished inside the ribbons.
At moments during this performance Eustacia was half
in doubt about the security of her position; yet it
had a fearful joy. A series of attentions paid to her,
and yet not to her but to some imaginary person,
by the first man she had ever been inclined to adore,
complicated her emotions indescribably. She had loved
him partly because he was exceptional in this scene,
partly because she had determined to love him, chiefly
because she was in desperate need of loving somebody
after wearying of Wildeve. Believing that she must love
him in spite of herself, she had been influenced after
the fashion of the second Lord Lyttleton and other persons,
who have dreamed that they were to die on a certain day,
and by stress of a morbid imagination have actually brought
about that event. Once let a maiden admit the possibility
of her being stricken with love for someone at a certain
hour and place, and the thing is as good as done.
Did anything at this moment suggest to Yeobright the sex
of the creature whom that fantastic guise inclosed,
how extended was her scope both in feeling and in making
others feel, and how far her compass transcended that
of her companions in the band? When the disguised Queen
of Love appeared before Aeneas a preternatural perfume
accompanied her presence and betrayed her quality.
If such a mysterious emanation ever was projected by the
emotions of an earthly woman upon their object, it must
have signified Eustacia's presence to Yeobright now.
He looked at her wistfully, then seemed to fall into
a reverie, as if he were forgetting what he observed.
The momentary situation ended, he passed on, and Eustacia
sipped her wine without knowing what she drank.
The man for whom she had pre-determined to nourish
a passion went into the small room, and across it to the
The mummers, as has been stated, were seated on a bench,
one end of which extended into the small apartment,
or pantry, for want of space in the outer room.
Eustacia, partly from shyness, had chosen the midmost seat,
which thus commanded a view of the interior of the pantry
as well as the room containing the guests. When Clym
passed down the pantry her eyes followed him in the gloom
which prevailed there. At the remote end was a door which,
just as he was about to open it for himself, was opened
by somebody within; and light streamed forth.
The person was Thomasin, with a candle, looking anxious,
pale, and interesting. Yeobright appeared glad to see her,
and pressed her hand. "That's right, Tamsie," he said
heartily, as though recalled to himself by the sight
of her, "you have decided to come down. I am glad of it."
"Hush--no, no," she said quickly. "I only came to speak
"But why not join us?"
"I cannot. At least I would rather not. I am not
well enough, and we shall have plenty of time together
now you are going to be home a good long holiday."
"It isn't nearly so pleasant without you. Are you
"Just a little, my old cousin--here," she said,
playfully sweeping her hand across her heart.
"Ah, Mother should have asked somebody else to be
present tonight, perhaps?"
"O no, indeed. I merely stepped down, Clym, to ask you--"
Here he followed her through the doorway into the private
room beyond, and, the door closing, Eustacia and the
mummer who sat next to her, the only other witness
of the performance, saw and heard no more.
The heat flew to Eustacia's head and cheeks. She instantly
guessed that Clym, having been home only these two or
three days, had not as yet been made acquainted with
Thomasin's painful situation with regard to Wildeve;
and seeing her living there just as she had been living
before he left home, he naturally suspected nothing.
Eustacia felt a wild jealousy of Thomasin on the instant.
Though Thomasin might possibly have tender sentiments
towards another man as yet, how long could they be expected
to last when she was shut up here with this interesting and
travelled cousin of hers? There was no knowing what affection
might not soon break out between the two, so constantly
in each other's society, and not a distracting object near.
Clym's boyish love for her might have languished,
but it might easily be revived again.
Eustacia was nettled by her own contrivances. What a
sheer waste of herself to be dressed thus while another
was shining to advantage! Had she known the full effect
of the encounter she would have moved heaven and earth
to get here in a natural manner. The power of her face
all lost, the charm of her emotions all disguised,
the fascinations of her coquetry denied existence,
nothing but a voice left to her; she had a sense of the
doom of Echo. "Nobody here respects me," she said.
She had overlooked the fact that, in coming as a boy among
other boys, she would be treated as a boy. The slight,
though of her own causing, and self-explanatory, she
was unable to dismiss as unwittingly shown, so sensitive
had the situation made her.
Women have done much for themselves in histrionic dress.
To look far below those who, like a certain fair
personator of Polly Peachum early in the last century,
and another of Lydia Languish early in this,  have
won not only love but ducal coronets into the bargain,
whole shoals of them have reached to the initial
satisfaction of getting love almost whence they would.
But the Turkish Knight was denied even the chance of
achieving this by the fluttering ribbons which she dared
not brush aside.
 Written in 1877.
Yeobright returned to the room without his cousin.
When within two or three feet of Eustacia he stopped,
as if again arrested by a thought. He was gazing at her.
She looked another way, disconcerted, and wondered how long
this purgatory was to last. After lingering a few seconds he
passed on again.
To court their own discomfiture by love is a common instinct
with certain perfervid women. Conflicting sensations
of love, fear, and shame reduced Eustacia to a state
of the utmost uneasiness. To escape was her great and
immediate desire. The other mummers appeared to be in no
hurry to leave; and murmuring to the lad who sat next to
her that she preferred waiting for them outside the house,
she moved to the door as imperceptibly as possible,
opened it, and slipped out.
The calm, lone scene reassured her. She went forward
to the palings and leant over them, looking at the moon.
She had stood thus but a little time when the door again opened.
Expecting to see the remainder of the band Eustacia turned;
but no--Clym Yeobright came out as softly as she had done,
and closed the door behind him.
He advanced and stood beside her. "I have an odd opinion,"
he said, "and should like to ask you a question. Are you
a woman--or am I wrong?"
"I am a woman."
His eyes lingered on her with great interest. "Do girls
often play as mummers now? They never used to."
"They don't now."
"Why did you?"
"To get excitement and shake off depression," she said
in low tones.
"What depressed you?"
"That's a cause of depression a good many have to put
A long silence. "And do you find excitement?" asked Clym
"At this moment, perhaps."
"Then you are vexed at being discovered?"
"Yes; though I thought I might be."
"I would gladly have asked you to our party had I known
you wished to come. Have I ever been acquainted with you
in my youth?"
"Won't you come in again, and stay as long as you like?"
"No. I wish not to be further recognized."
"Well, you are safe with me." After remaining in thought a
minute he added gently, "I will not intrude upon you longer.
It is a strange way of meeting, and I will not ask why
I find a cultivated woman playing such a part as this."
She did not volunteer the reason which he seemed to hope for,
and he wished her good night, going thence round to the
back of the house, where he walked up and down by himself
for some time before re-entering.
Eustacia, warmed with an inner fire, could not wait for
her companions after this. She flung back the ribbons
from her face, opened the gate, and at once struck into
the heath. She did not hasten along. Her grandfather
was in bed at this hour, for she so frequently walked
upon the hills on moonlight nights that he took no notice
of her comings and goings, and, enjoying himself in his
own way, left her to do likewise. A more important
subject than that of getting indoors now engrossed her.
Yeobright, if he had the least curiosity, would infallibly
discover her name. What then? She first felt a sort of
exultation at the way in which the adventure had terminated,
even though at moments between her exultations she was
abashed and blushful. Then this consideration recurred
to chill her: What was the use of her exploit? She was
at present a total stranger to the Yeobright family.
The unreasonable nimbus of romance with which she had
encircled that man might be her misery. How could she
allow herself to become so infatuated with a stranger? And
to fill the cup of her sorrow there would be Thomasin,
living day after day in inflammable proximity to him;
for she had just learnt that, contrary to her first belief,
he was going to stay at home some considerable time.
She reached the wicket at Mistover Knap, but before
opening it she turned and faced the heath once more.
The form of Rainbarrow stood above the hills, and the moon
stood above Rainbarrow. The air was charged with silence
and frost. The scene reminded Eustacia of a circumstance
which till that moment she had totally forgotten.
She had promised to meet Wildeve by the Barrow this very
night at eight, to give a final answer to his pleading
for an elopement.
She herself had fixed the evening and the hour.
He had probably come to the spot, waited there in the cold,
and been greatly disappointed.
"Well, so much the better--it did not hurt him,"
she said serenely. Wildeve had at present the rayless
outline of the sun through smoked glass, and she could
say such things as that with the greatest facility.
She remained deeply pondering; and Thomasin's winning
manner towards her cousin arose again upon Eustacia's mind.
"O that she had been married to Damon before this!"
she said. "And she would if it hadn't been for me! If I
had only known--if I had only known!"
Eustacia once more lifted her deep stormy eyes to
the moonlight, and, sighing that tragic sigh of hers
which was so much like a shudder, entered the shadow
of the roof. She threw off her trappings in the outhouse,
rolled them up, and went indoors to her chamber.